The Kitty Packard Pictorial is holding a contest charmingly titled: “I Totally F***ing Love This Movie Blogathon “. You will find the instructions for submissions about what should end up being a very entertaining three days of favorite movies. They are only requesting one film, so Picnic At Hanging Rock is my official submission, but I’ve just gone whole hog with my favorite top ten movies with suggestions for similar films.
We all have “guilty pleasures” when it comes to motion pictures. Some of them are among the classics while others are less well known but equally beloved. These are the films you buy in each new format and still stop when clicking through channels for just a few minutes of familiar pleasure. The top of my list always starts with Casablanca simply because I was born in the same city on the same day that it received the Oscar for Best Picture. As birthday presents go, that one was a doozy. Since it is such a classic for just about everyone, I’m not counting it among the Personal Top Ten
Picnic At Hanging Rock – This is the film that started my addiction with Australian film makers and my on going gripe about why aren’t they released in all formats because except for the ones that become major hits, show up on You Tube, or star every actor stolen by Hollywood you don’t get to see them. Picnic is a mystery so well done that many people believe it is a true story (The rock is real, the story is not – It’s just atmospheric and beautiful). From there head for Walk About, Shame, Blessed, Rabbit Proof Fence, Red Dog, Erskineville Kings (It is a very long list) or just check out every movie to appear on the AFI (Now AACTA) lists of best films.
84 Charing Cross Road – Anne Bancroft with Anthony Hopkins in the book lover’s ultimate movie. Based on the book by Helen Hampf, it covers the 20 year correspondence between a New Yorker and her British book seller. At some point you will sit down and make a list of every book mentioned. Naturally this will lead to every Shakespeare play committed to film as well as anything that has ever won a BAFTA.
Torch Song Trilogy – This brilliant film version of Harvey Fierstein’s Broadway play was discovered by accident simply because anything with Anne Bancroft (See above) must be watched at least once. I came for Anne and stayed for Arnold played by Harvey in a role based on his life. While the principal characters are gay, the story is about love, grief, commitment, and family. As a follow-up, you can move on to Priscilla Queen of the Desert, To Wong Foo Thanks for Everything Julie Newmar, and Milk. Love stories are universal wherever found.
Same Time Next Year – Another play brought to the screen and found almost the same way. This time the actress is Ellen Burstyn with Alan Alda meeting once a year for a love affair over 20 years interspersed with short films of history writ large and their personal crises as they age and change. It also features one of my favorite movie themes: The Last Time I Felt Like this. For follow-up see Auntie Mame (original with Rosalind Russell) and The Goodbye Girl with Marsha Mason
Cry Freedom – This is the get serious about what you believe movie on the list. Starring Denzel Washington as Stephen Biko and Kevin Klein as journalist Donald Woods. Biko’s life and death is told in flashback and Woods tries to escape South Africa to get his story out to the world. This will lead you to Shawshank Redemption, Devil In A Blue Dress, A Dry White Season, Cry The Beloved Country and Invictus among many others.
L. A. Story – Every single cliché about California hilariously written by and starring Steve Martin as he tries to woo and win a British newspaper reporter with the help of a very musical freeway sign. – Follow up with Walk Like A Man, Some Like It Hot, Four Weddings and a Funeral and for more Steve Martin: Roxanne
Singin’ In The Rain – What hasn’t been written about almost everyone’s favorite musical about Hollywood. Follow up with A Star Is Born and all of the wonderful “That’s Entertainment” MGM musicals
In The Heat of The Night – Another film from the “get serious” column with Sydney Poitier in one of his best roles bouncing off the equally brilliant Rod Steiger solving a murder mystery while dealing with entrenched prejudices. Follow up with Mississippi Burning and Ghosts of Mississippi,
High Society – The musical version of The Philadelphia Story. It doesn’t get much better than Louie Armstrong, Bing Crosby, Frank Sinatra, Grace Kelly, and Celeste Holm with the marital confusions of the wealthy singing and dancing to Cole Porter’s music.
Australia – I went in expecting Lawrence of Arabia and came out thinking Donovan’s Reef meets The Man From Snowy River isn’t bad. Do not leave me alone in the same room with Baz Luhrman or he will get my Australia Rant:
There are close to two pages of glaring continuity and historical errors. The match move and CGI work in places is below film school expectations. In places the cuts and edits look like they were done with an ax. The inserted stock shots have different color levels. The script it derivative and repetitive. This film could have been great. The Drover is a wonderful iconic character. The history of the continent for the whole period between the end of WW I and the beginning of WW II is unbelievably rich. So why in the hell did Baz Luhrman come up with what is basically an entertaining bodice ripper. He had almost every Australian actor of any quality for the past 50 years and wasted them. I heard there were extreme weather conditions that messed with the filming and that as a result it was 20 million over budget. That could have caused a lot of the problems but still a real disappointment in a movie I actually like.
Having said that, this great cast manages to claw their way above a repetitive script, historical inaccuracies, and wall to wall clichés to deliver romantic heat and galloping adventure well worth watching over and over.